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Straight off the bat, we are exposed to his on-screen sexual prowess courtesy of one of his movies, and as the camera pans out to reveal his six-year-old son, Petar (Luka Mijatović) watching on in wide-eyed fascination, it becomes painfully clear that thick skin will be a requisite for the next 104 minutes. Miloš has made quite the name for himself as the industry’s most valuable commodity on account of being able to get hard at the drop of a hat and perform for hours without once going flaccid. Make no mistake, A Serbian Film does far more than simply glancing over these topics and, instead, restrains us alongside its main protagonist and clamps our eyes open while it assaults every last one of our senses.īefore we can so much as settle nervously in our seats we are introduced to semi-retired porn star Miloš (Srđan Todorović) in no uncertain terms. Emotions invariably run high with works such as this, particularly when they touch on taboos such as pedophilia and necrophilia.
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However, I shall extend Spasojević’s film the same courtesy I do every time I enter into this process, that being, a fair crack of the whip. My analysis will doubtless divide opinion and I am fully prepared for a backlash from certain quarters for what I am about to say. You see, certain films are for adults and adults only and A Serbian Film has never professed to fitting any other bill than that.īefore we go any further, I shall slip on my kit gloves, as the following appraisal needs to be handled with a great deal of sensitivity. There have been occasions when I have felt physically sick and would consider that as part of the process. Many of my life lessons have been learned this way and, having watched leagues of exploitation flicks over the course of my filmic tenure, I’ve rubbed shoulders with all manner of reprobates during that time. Nevertheless, I am of the opinion that film is there to do more than simply tickle those pleasure nodes and also has the ability to challenge its audience. Already aware that it tackles topics that don’t exactly make for a joyful viewing experience, I have done so with great trepidation, and mindful of the fact that, once experienced, my primary emotion was likely to be shame. It has taken me five years to pluck up the resolve to find out what all the fuss is about and isn’t a task I have undertaken lightly. Banned in many countries and subjected to 19 minutes of cuts in the United States before achieving an NC-17 rating, A Serbian Film is easily the most controversial piece of modern storytelling ever committed to celluloid and, to many, deemed utterly indefensible.
There is an ongoing debate as to whether or not certain films should have been made in the first place and right at the top of this agenda is a certain piece of exploitation from first time Serbian director Srban Spasojević.
But precious little has actually managed to prise open my maw and steal the breath from my lungs. Certain works have burrowed beneath my skin, certain images become lodged in my hippocampus, certain experiences left me feeling dirty. I have been watching horror movies for most of my adult life and rarely am I left shocked.
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